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Haydn, Franz Joseph
Sonata No. Sonata in No. Richard Kursch Kammertrio No.
Sonata in G major, Op. 2, No. 5 (for flute and continuo) - Benedetto Marcello
Three lovely character pieces in the tradition of Schumann but written in the late Romantic era style. An early-mid romantic with especially lovely melodies, good part-writing and no technical difficulties. A worthy addition to the mid-romantic repertoire. Another very good work which should be heard in concert but which also has no great techical requirements.
A late romantic masterpiece by an unjustly forgotten composer. Another outstanding late romantic work. Again, a masterpiece by one of the most unjustly neglected composers of the romantic period. A youthful Mendelssohnian work full of vigor, passion and appealing melodies with good part-writing for all. Unlike the qt of his brother see below this trio is closer to the Viennese classics than the French revolutionary style. IOf this set of three, this trio is the one which reflects French tastes from the mid Classical era. Less Viennese sounding than the other two. If you didn't know who this trio was by, you would guess Haydn, but it has better part-writing for the lower voices than the Haydns.
Hyacinthe Jadin String Quartet in f minor, Op. Historically important, dedicated to Haydn, this quartet heralds later developments, with fine treatment of the cello. Another historically important quartets showing that developments from Vienna were reaching Paris. A work of the French revolutionary period combining the early classical style with some romantic tendencies. Once well-known for his songs and hamber music, this quartet was in the repertoire of the original Hubay-Popper Budapest Quartet of Leos Janacek Sonata for Violin and Piano Very typical late Janacek, idiosyncratic and characteristic of his quartets and opera works.
- Cello Advanced Repertoire;
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Leopold Jansa String Quartet No. A very effective string quartet with good writing for all by a member of several leading Viennese string quartets. Its like have a third Brahms Clarinet Sonata. Wonderful writing, following in the footsteps of his teacher Brahms. Gustav Jenner Violin Sonata No. Beautifully written, a fine late romantic work which builds on what Brahms had achieved.
As if Brahms had lived 10 years longer and written another piano quartet. In the tradition of Schmann's Marchenerzalungen. Three lovely movements, darkly colored, full of lament and pathos which showcase the viola's wonderful timbre. A work of great breadth, serious. One of the finest Franco-Belgian violin sonatas from the first part of the 20th century.
Sammartini, G: Flute Sonatas Op. 2: Nos. 1-6
In the late French impressionist style, taking full advantage of the viola's possibilities. Massive, Gallic, powerful, monumental, prize-winning, masterpiece--all have been used to describe this quartet. A first rate work which would be an excellent program alternative to either the Debussy or the Ravel quartets. A big, masterly work, classic in structure and showing the influence of French impressionism. Richly inspired and full of original and exotic tonal effects can be played together or separately.
Another big, powerful work with all of the same qualities as his string quartet.
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- Cello Sonatas Nos. 1 and 2 (Beethoven).
- Trio sonata.
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One of the finest works for this combination. Hailed as a masterpiece at its premiere, this is an incredibly good French late romantic work.
A modern post-romantic work, fully tonal, original and an important addition to the cellist's recital repertoire. A great late Romantic era work, full of Russian melodies with an especially fine set of variations in the middle movement. A fine post romantic, modern and completely tonal, combining Russian and French influences. An engaging set of 6 contrasting and highly effective character pieces.
This set of 5 character pieces written a decade after the 1st set, equally as fine, shows modern, for the time, developments. An important and interesting work illustrative of post Tchaikovsky Russian romanticism. A powerful and emotional tone poem for piano trio combining German Jugendstil with Russian folk melody.
Little gems of the late romantic literature. Written just after the upheaval WWI, as the title suggests, the music is a powerful prayer. A very impressive work. A sound tribute to the cosmopolitan atmosphere of the Berlin of the late 's. A powerful and dramatic large scale work based on the Nordic saga Gosta Berling. Combines Russian modal melody with late Central European romanticism.
Hailed by the Chamber Music Journal as a work of the first order. A powerful, original and complex late Romantic works.
Of its type, a late romantic era masterwork. A light, witty first rate work, full of surprising rhythms and tonal colors. A first rate work for this unusual combination which straddles the romantic and neo-classical periods. A first rate Russian romantic quartet tinged with modernism. A work of very great originality which combines traditional Slavic melodies with polyphonic modernism.